The shape-note tradition emerged from New England’s 18th-century singing school movement that aimed to improve Protestant church music and expanded into a social activity.
New Hope Presbyterian Church started a string orchestra in April, welcoming students — including those who may have trouble getting into and paying for music programs.
After interrogating their beliefs, some onetime CCM artists are revisiting faith, trying on elements they’d previously discarded and writing music for listeners who might be more spiritual than religious.
When the CCLI Top 100 chart first appeared in 1988, most of the songs had one writer. Today, the average hit worship song has at least two writers — who often have ties to the so-called Big Four megachurches.
A Jordanian worship band has made it their mission to perform and record hymns composed around the middle of the 20th century that might have otherwise been lost to time.
In "God Gave Rock and Roll to You: A History of Contemporary Christian Music," Leah Payne traces the history and trajectory of CCM and how it has shaped evangelicals.
This issue of A Public Witness cues up the soundtrack of American evangelical Christianity as covered in Leah Payne’s “God Gave Rock and Roll to You: A History of Contemporary Christian Music.”
Jews have long played a role in shaping how Americans celebrate Christmas. For Christian Nationalism leader Andrew Torba, their contributions are a sign of a plot to remove Jesus from the Christmas story.