Beyond the jump scares, the supernatural elements of horror and its sublime nature pair easily with belief and spirituality — and religion’s exploration of big existential questions.
Debuting on June 20, it’s the first film entirely in American Sign Language to debut in theaters, according to the filmmakers.
‘The Philadelphia Eleven’ depicts the buildup toward the so-called irregular ordination at which four bishops ordained 11 women as priests without the denomination’s approval.
Ryan Whitaker’s new film 'Surprised by Oxford,' based on Carolyn Weber’s memoir of the same name, explores what happens when our plans and expectations are thwarted by the vagaries of life.
Juliet Vedral explores the new Amazon Prime film Don’t Make Me Go starring John Cho and Mia Isaac. The movie is both a feel-good father/daughter road trip film and a poignant tale about the fragility and impermanence of life that resonates with Christian scripture.
Juliet Vedral explores why, for people of faith, watching Dear Evan Hansen is worth your time. The film is beautifully reminiscent of God’s unconditional love and grace and also serves as a hopeful story for teens struggling with anxiety and depression.
(RNS) — “A Prayer in Space” has all the ingredients of a faith-based blockbuster: an astronaut who finds God after she’s pushed to her limits -- and space monsters. The fictional Christian film plays a central role in “Faith Based,” a new satirical film about
Instead of releasing a trailer, the makers of "Faith Based," a movie satirizing the Christian film industry, found another equally-entertaining way to promote the movie: By reading comments from internet users — all of whom haven’t seen the film.
(RNS) — “Protecting our hope” means never losing hope that love is more powerful than hatred, life more powerful than death, mercy more powerful than condemnation. As Equal Justice Initiative founder Bryan Stevenson says, “We are all more than the worst thing we’ve ever done.”
ALBANY, Ga. (BP) -- Alex and Stephen Kendrick don't judge the success of their movies solely on box-office numbers or public relations victories. They judge success, Stephen Kendrick said, by a movie's spiritual impact.