From ‘Faust’ to ‘Him’: Why Hollywood Can’t Quit the Devil’s Deal
‘Him,’ the Jordan Peele-produced horror film reaching theaters Friday, is the latest testament to the fact that, in cinema at least, the devil’s offer never goes out of style.
Three New Documentary Projects Warn About Abusive, Nationalistic Faith
This issue of A Public Witness recommends two films and one miniseries exploring important issues of Christian Nationalism and religious abuse.
‘The Elephant in the Room’ Is a Rom-Com for Our Political Moment
The charming new film from Emmy-winning writer and director Erik Bork features laughs, romance, and insights into how we can connect with people who hold a different worldview.
’The Bad Guys 2’ Offers a Second Chance at Redemption
The new animated feature from Pierre Perifel is lighthearted and visually stunning, utilizing various animation styles for different scenes — but it also offers a profound lesson for the church.
How to Train Your Compassion
Hiccup from the ‘How to Train Your Dragon’ movie shows his community a better way to be a Viking in a manner that keenly echoes the life and teachings of Jesus.
Four Films for This Moment
This issue of A Public Witness recommends some recent documentary films on issues of faith in the public square, Christian Nationalism, and patriarchy.
New Netflix Film Wants To Make Mary Accessible to All
Director D.J. Caruso hopes to tell Mary’s story through her own eyes and appeal to new generations.
From ‘The Exorcist’ to ‘Heretic,’ Why Holy Horror Can Be a Hit With Moviegoers
Beyond the jump scares, the supernatural elements of horror and its sublime nature pair easily with belief and spirituality — and religion’s exploration of big existential questions.
Historic All-Sign-Language Movie ‘Jesus: A Deaf Missions Film’ Comes to Theaters
Debuting on June 20, it’s the first film entirely in American Sign Language to debut in theaters, according to the filmmakers.
A Film Sheds Light on 11 Daring Women Whose Defiant Act Changed the Episcopal Church
‘The Philadelphia Eleven’ depicts the buildup toward the so-called irregular ordination at which four bishops ordained 11 women as priests without the denomination’s approval.