Often boosted by social media, many of them got their start with independent labels or by uploading self-made songs to streaming platforms. Now, bigger labels and streaming services are catching on.
This issue of A Public Witness explores biblical ‘peacemaker’ rhetoric from the Trump administration and how it wildly misrepresents what Jesus actually taught.
Comedian Druski’s latest viral church parody contains some truth in its critique, however uncomfortable it may be. The Church and the Christians within it should face that openly.
From the beginning, the U.S. has prided itself on being a haven for persecuted believers. But it has also demanded those believers demonstrate their loyalty in ways that blur the line between conscience and citizenship.
At the movies this fall, Josh O’Connor plays a hot priest with a complicated past, Keanu Reeves is an angel who lost his wings, and Elizabeth Olsen has a romantic dilemma in the afterlife. Hollywood, it seems, has found God.
Editor-in-Chief Brian Kaylor reflects on the Christmas narrative in the Gospel of Matthew and an upcoming Christmas program at the Kennedy Center in the aftermath of Donald Trump taking it over.
The third installment of the ‘Knives Out’ series examines the spiritual warfare within American Christianity and looks at writer-director Rian Johnson’s struggle with the essence of faith.